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Journal

Received an e-mail from the crew at Cemetery Dance requesting a bio to go along with my story, “Inheritor,” which will be appearing in their next issue, due out in June. Very exciting stuff.

This weekend I introduced Kathryn to one of my favourite TV shows, Twin Peaks. She had never seen it before, which I found kind of startling, if only because so many people at my high school were watching it at the time. We even had a pool going on who the killer would turn out to be. I think I had put my money on Benjamin Horne, but it was so long ago that I can’t really remember. Anyway, we just started the second season last night, and it’s nice to see the series still stands up 15+ years later.


I was very glad to receive the galley for my story “Twillingate” this morning, which will be appearing soon in Salt, an anthology to benefit the Surfrider Foundation. I had cruised by the publisher’s website last week, and the news page said the book had already been sent to the printer. I guess that wasn’t entirely accurate, and I couldn’t be more glad!

Speaking of anthologies, Horror Library, Volume 2, featuring my spider story “Charlotte’s Frequency,” is now available from Shocklines, the biggest seller of small press horror books in the world, with a special “New Voices Guarantee.” Very slick.

I also received a rejection from one of the nicest editors I’ve ever sent stories to. She’s the publisher behind Lunch Hour Stories, which you really should check out if you haven’t already. It’s a series of mini-chapbooks, published monthly, that feature a single long story or novelette. The stories are always excellent, and I really like getting a new one delievered to me every month in such an attractive format. A very clever idea.

Anyway, in this latest note, she told me: “I am continually impressed with your commitment to the writing process (you must have hundreds of stories by now) and the way you continue to market your stories, even after receiving previous rejection. I hope not all of your stories are being rejected, because that would make me feel horrible. Your stories are good, some very good, but unfortunately, finding the right publication for each of them is challenging.”

Now that’s the kind of rejection letter you can’t really complain about. It encourages me to send more stories and to improve my craft, which I think is the point of any good rejection letter. They don’t want to hurt your feelings or make you give up; they just want to make sure that you’re serious about the work and that you understand the market.

With that in mind, I’m confident I’ll be able to crack this one soon.


Received not one but two rejections this evening from Fourth Horseman Press’s Way Out West anthology. I’ve been waiting for these replies for a long time, and the editor apologized profusely for the wait (and assured me once again that Revelation 4:1 will be out soon). I was a bit bummed out; I thought one story or the other would have gotten accepted. I feel they’re both quite strong and represent some of my best work.

I feel especially sorry for “Deadstock,” which, at 16,000 words, is somewhat limited in the number of markets that will consider it for publication. It’s a long one, to be sure, but it’s also an action-filled romp with western witches, undead prospectors, and a knife-throwing redhead named Raisy. What’s not to love?

So, if anyone knows an anthology or market looking for especially long horror stories, be sure to drop me a line.

The other story, “The Four Cowboys of the Apocalypse,” is only 4,500 words, and is already back riding the happy slush-pile trails.

Yee-haw.


Kat called me at work today to tell me, very excitedly, that “The Black Tree” ended up winning the 55 Words Readers’ Choice Award for January 2007.

It may not be a Pulitzer or a Stoker, but it’s an acknowledgement just the same, and I’m pretty happy about it.

Thanks to everyone who voted for my story!


It’s my sad duty to report that I’ll be leaving for awhile. This is as much a surprise to me as it is to you, I can assure you. Kathryn isn’t happy about it, and I can’t say I am either, although I believe it’s ultimately for the best.

It began last week when I was approached by a group called The Dharma Initiative. As far as I can figure, they’re a clandestine think-tank with interests in virtually every field of business and technology.

The rep who contacted me said he and the Initiative were very interested in my writing career and wanted to help me with my novel. He said he understood the difficulties of writing one’s first novel. He commiserated over the myriad distractions and stresses of everyday life and how they prevent the writer from achieving his full potential. On behalf of the Initiative, he offered to set me up at a remote location where I could work undisturbed and finish my book.

After a long talk with Kathryn, we both agreed that this is the push I need to truly get my writing career off the ground. It’s not going to be easy, but we both feel that it will be worth it in the end.

The rep said I’d be gone only six months, which isn’t too bad, and when I come back I’ll have a finished novel.

There are a lot of things I’d like to tell you about this unusual endeavor, but I figured it was easier to let the Dharma Initiative speak for itself. The following is a transcript of my orientation film.

**


Dharma #1

Do you want to be a best-selling novelist? The Dharma Initiative can make it happen for you!


Dharma #2

Welcome. I am Dr. Katelyn Bookman. This is your orientation film for Station #7 of the Dharma Initiative.


Dharma #3

We at the Initiative understand the difficulty involved in writing your first novel. In order to provide you with the environment necessary to complete your work, you will be transported to a secluded location deep in the Canadian wilderness. This station is called The Quill.


Dharma #4

You have been selected among a great many candidates for this project. We consider ourselves lucky to provide you with a place to complete your important work.


Dharma #5

Upon your arrival at The Quill, you will be given the uniform for this particular station, consisting of scholarly glasses, a corduroy coat, and a pipe. You will be allowed to take these items with you at the end of your stay.


Dharma #6

The Quill has been designed to meet all of your writing needs. All of the tools necessary for the completion of your novel are at your disposal, including a top-of-the-line computer, a writing desk, and, of course, a coffeemaker.


Dharma #7

In order to provide you with the proper working environment, a number of contingences have been made. First and foremost, communication with the outside world is strictly prohibited. The Quill is not equipped with a telephone, a television, or a radio. The computer does not possess internet or e-mail access. Although these conditions may seem harsh, we believe it is in the best interest of your work.


Dharma #8

Physical fitness and mental endurance is crucial during the writing of your novel. As such, it is important that you stay in shape. A series of exercise regiments has been provided for you.


Dharma #9

In preparation of your novel’s publication, you should also practice for the all-important book-jacket photo.


Dharma #10

Try to keep artistic outbursts to a minimum. Save your energy for the eventual book tour. Relax yourself with the yoga techniques provided, and spend time with The Quill’s resident cat, Hugo.


Dharma #11

It is of the utmost importance that you work on your novel every 108 minutes. You must also be watchful for hostiles — what are known in the publishing world as “book critics.” They may attempt to compromise the integrity of the station.


Dharma #12

By the end of your stay, you will have a completed manuscript to be sent off to prospective publishers. In no time at all your novel will be sold and you will be out traveling the world on an extensive book tour.

On behalf of everyone at the Dharma Initiative, thank you, namaste, and… good luck.


Received one of those rejections that are so complimentary that you wonder why they’re not taking the story. Sometimes it all comes down to numbers, as the note said. They said the narrative was lucid and fluid, and the pacing was excellent.

Hopefully they’ll remember me when I hit them with another story.

Also, due to overwhelming pressure (well, not really), I’ve decide to create a mirror site via LiveJournal. I know some readers have LJs of their own, and it’s easier for them to keep up with my activities and comment through the LJ community. That’s me, always trying to accommodate my fans.


Tomorrow is the final day to vote for my story “The Black Tree.” It’s only 55 words long, so if you haven’t read it yet, it’ll only take a minute or two of your time.

In other news, I received an e-mail from the crew at Andromeda Spaceways Inflight Magazine saying “The Bottle” has made it on to their next reading pool. There’s two or three as I recall, so it’s not exactly a reason to celebrate, not yet, but it’s progress nonetheless.


I happened to swing by the Naked Snake Press website and saw that the Salt anthology has been sent to the printers. I never did receive a galley, so I can only hope that my story is error-free.

I guess we’ll find out together, ha-ha.


Online Fiction

"Wendy" in Biff Bam Boo!

"Buffalo Money" in Rope and Wire

"The Kid Pool" in The Written Word #13

"The Nanny" in Nossa Morte #3

"Intervention" in Shred of Evidence

Random Writing Quote

"When you write a story, you're telling yourself the story… When you rewrite, your main job is taking out all the things that are not the story."
Stephen King