August 30, 2003 @ 7:43 pm

I recently finished reading Rebecca, by Daphne du Maurier, and I thought I’d mention something unique about it that I enjoyed.
For those of you who weren’t forced to read it in high school, Rebecca is the story of a young woman who meets and marries Max de Winter, owner of the fairyland estate Manderley. The part that’s a little bit different is that the protagonist remains unnamed throughout the entire book. She is actually the second Mrs. de Winter, the first having drowned off the coast of the fabled estate.
The book is referred to as a "haunting story of sinister suspense," and although it’s somewhat stagnant in spots (and the frustrating fact that the ‘haunting’ occurs only in a figurative sense), it does have its merits – namely the cleverly allusions to the narrator’s mysterious moniker. In two particular scenes, du Maurier takes pleasure in this curious plot device. The first occurs after our nameless heroine receives a note from Max de Winter:
No signature, and no beginning. But my name was on the envelope, and spelt correctly, an unusual thing.
And later on, as they talk about her family, the protagonist mentions she was named after her father, and Maxim comments:
‘You have a very lovely and unusual name.’
‘My father was a lovely and unusual person.’
The movie, directed by Alfred Hitchcock, is a worthy adaptation, with Joan Fontaine as the Second Mrs. De Winter (as she’s referred to in the credits), Laurence Olivier as Max de Winter, and a deliciously wicked Judith Anderson as Mrs. Danvers – though, as I told my editor, I thought she would have looked a lot more sinister if her hair was curved into horns a la Wolverine.
Which probably explains why I’m not directing movies.
Ian


